Items: 16
Show all
Search

Here we go again. For the Spanish Hifi magazine Revista On Off, Josep Armengol reviewed the LS1 plus LS1s subs. He writes:

 

“The transparency of the sound is tremendous. One could really think that you have the artists in front of you. Grimm's mission to eliminate the sound of the system and present just the original recording seems totally true. At the same time, if the system is fed with less than optimal recordings, the sound does not become unpleasant, which is often a problem with other studio monitors that can be too analytic.

 

The sub woofer is very well integrated, I even touched them to see if they were working. This is of course the ideal: that subwoofers perform their duty unnoticed. The set offers a well defined low end, rhythmic and deep, never exaggerated, in fact for some rock discs I added a dB of low end in the LS1 software just for fun. 

 

The magnificent Grimm LS1 boxes always seem to get the best out of a recording and let you enjoy the spirit of the music, but in a very different manner than - for example - a traditional system with valves, with a romantic sound. But even so you end up listening for long hours because you don’t feel any sign of fatigue. And along the way you discover details in discs that you thought you knew in depth. Noises from the studio, sheet music moving, fingers on instruments, whispers ... impressive how the Grimm’s unveil ‘everything’.”

We are delighted to present yet another review that sings the praise of the LS1. The experienced editor in chief Jack Liu of the Taiwanese magazine Audio Art was highly impressed by the performance of the LS1 and offered it the full score on all 20 evaluation points! Some excerpts from his poetic text:

 

“I listened to a cello and piano recording from the album ‘Antonio Lysy at the Broad: Music From Argentina’. The LS1 reproduction of this cello and piano piece has two very charming aspects: the sound quality is both very beautiful and very true to life. Actually these two qualities describe the main character of the LS1 very well. And tell me, is there anything more desirable than to have a beautiful and sweet sound? And what is more exciting than a playback that almost sounds like reality?”

“To listen to some pop music, I selected Lorna Hunt’s "All in One Day." The LS1 performance again made me cheer of joy, because the drum sound was elastic, solid and clean, the guitar was crisp, sweet and delicate, and Hunt's voice sounded natural in a loose way, without any exaggeration. In my experience, such an open, relaxed character can normally only be found with big loudspeakers.“

“There was no audible compression at all, everything sounded open without any clutter, the frequency balance was perfect, down to very low frequencies. This is only a three driver system in a very small enclosure but the large-scale orchestral music performance was so real. Forgive me my ignorance, but this is the first time I heard a playback like that. In particular, the orchestral brass texture was very realistic, with proper weight.“

“As a final, I played Tchaikovsky's Fifth Symphony by the Russian National Orchestra with Pletnev as conductor. After listening, I saluted the LS1. Maybe very large speakers can offer even more impact, but that ultra-high resolving power, the clear presentation of musical layers, the very beautiful and musical sound, the very real texture, the amazingly fast transient response, the direct and non-fogged transparency, and the nailed down positioning of the instruments, leave the listener gasp in admiration.“

“Accurate, transparent and beautiful, that is the Grimm Audio LS1.”

We have another rave review for the LS1, this time in the Norwegian magazine “Stereo+” (does the LS1 have the world record for 5 star reviews by now?). Look at what Roy Ervin Solstad has to say about the LS1:

“Grimm shows that it is worth lending an ear to the pros. They know what they're doing.”

"From the beginning, the thing that impresses most is the Grimm LS1's ability to disappear completely. The sound stage is extremely homogeneous without any flaws, and the holographic precision of the sound is exemplary. Musicians and singers are nailed in a wide and deep sound stage."

"One can turn up the volume to obscene levels without any kind of trouble. Never before have I feared that a speaker would dislodge the floorboards of my living room. It is simply the craziest full range level I have ever experienced at home. And this with complete control, definition and resolution."

"The whole thing is so clean, and without a single audible blemish, not even from the room. They're definitely not the kind of tool for those who enjoy tuning their system in one direction or another. These speakers are basically designed for monitor use in a studio. They show everything the way it is recorded, and that is precisely what you hear when you have them in your living room. For such a precision instrument, it is no surprise that the sound balance is extremely neutral. But at the same time the wonderful openness is enchanting. There is so much space around all instruments and voices, that I can not remember ever hearing it better."

"I've played everything from Rammstein to chamber music on these speakers, and they eat everything raw. It is only what you feed this setup that determines what you get out at the other end."

"You will have to go to great lengths to find something that matches this sound quality for the same price. What more can one wish for."

We are speechless with gratitude for the most incredible LS1 review ever written. Author Timothy Roth of Positive Feedback Online wrote an invitation to both music lovers and professional engineers to unite their worlds by embracing the LS1. In his words: "The LS1 brings the mastering studio into your room, which is a revolutionary paradigm shift. You hear the artists' intent rather than your system or your own personal preferences." This was exactly our original aim when we designed the LS1. Please read the full review to be swept up in his enthusiasm for the LS1: "As it turns out, Truth equals Love."

The online High End magazine Sound Stage Ultra published a very positive LS1 review and marked it "Reviewers Choice". Author Robert Jorgensen enjoyed his days with our product very much, playing a wide range of music styles. We were delighted with his conclusion since he recognized our main goal when we designed the LS1. He writes: "These days, I find it less and less interesting to try various components in my system; I much prefer to listen to music. Other audiophiles, to stay happy, need something to fiddle with all the time; this is not the system for them. The Grimm Audio LS1-LS1s let me get down to excellent listening for a good long time with no fiddling whatsoever. That's my kind of speaker system. You do need a good source and a room whose acoustics have been properly addressed. But that's it."

The Netherlands' leading online hifi magazine, hifi.nl, published a review by René van Es, who was fascinated by the fact that the LS1 is so different from any other system he auditioned. His verdict is: "A system that belongs to the current top class of high end audio, at a very reasonable price in relation to the quality. A system with such low distortion and such high neutrality that you may probably have to get used to it." 

Scott Hull was 'bedeviled' by the LS1 during the Axpona high end show in Chicago and wrote a catching review about it. "I got to hear lots of different kinds of music. Overall, the sound was nuanced, powerful, and extremely detailed — this Grimm system managed to do a whole lot of things extraordinarily well. (...) Frankly, I’m amazed at how much tech got crammed into those two cabinets. (...) If you’ve got space concerns — or clutter concerns — but cannot be asked to sacrifice audio quality, this Grimm may have your name all over it."

LS1: For Head and Heart2013, November 29

German half-yearly AUDIOphile magazine praises the LS1 for its outstanding naturalness. "These speakers are neither charming nor flattering, but honest and pure.", Editor Wolfram Eifert writes. "With their fully active LS1 Grimm Audio throws many familiar conventions overboard and achieves a superb signal fidelity by means of switching amplifiers and DSP-controlled crossovers. User comfort and neutrality are on world-class level."

Dimitris Stamatakos of the Greek blog AVMentor published a rave review about the LS1. Dimitris: "The LS1 is a real reference speaker, thumbs-up for Grimm Audio! I must say I am delighted to review a system that addresses some of the classic problems in the design of loudspeakers and succeeds dramatically. I also admire the courage of the Grimm Audio people to see (rather than shun away from) one of the big problems of high fidelity: the necessary combination of precision and a pleasant presentation (or the lack of a 'sound' of its own if you prefer), composing a solution that is evidently highly effective. The LS1 suggests a way to escape the speaker industries' permanent state of navel-gazing and take steps forward. This is a speaker that sets a reference level and everybody should hear it, regardless of whether he intends to buy it or not !"

The Munich High End show has been a huge success for us. To our surprise all 600 folders of the LS1 were already gone on the third day. Many listeners told us we had the ’best sound of the show’. Even German newspaper ’Die Welt’ wrote about us! Quote: "The system (...) is the equal of systems of hundred thousands of Euros when it comes to aspects like neutrality, purity and naturalness of tone."


Share on your favorite social medium

headlines

  • Grimm's mission to eliminate the sound of the system and present just the original recording seems totally true.

    Josep Armengol, Revista On Off, Madrid (LS1)

  • With the Grimm LS1 unexpected details appear in the recordings: nothing is hidden, and everything sounds delicious.

    Josep Armengol, Revista On Off, Madrid (LS1)

  • Those subwoofers are pretty darned impressive. Thanks!

    Aaron Garrett, hifi enthusiast, Cambridge (LS1s-dmf)

  • This is such an incredibly good speaker.

    Jaap Veenstra, Alpha Audio, Haarlem (LS1be)

  • I could always hear improvements in sound quality

    Marnix Bosman, Interface, Amsterdam (CC2)

  • Not something good, but something already exquisite has further been improved.

    Fritz Fey, Studio Magazin, Oberhausen (LS1)

  • The reviews I read are good, but to me what I experienced in our system was greater.

    Aaron Gandia, Phat Planet Studios, Orlando (CC1)

  • Total peace of mind

    Marja Vanderloo & Henk Boot, 6Moons (LS1be)

  • The sound stage renders almost holographic with a very high precision and spaciousness, as if there is no cable at all.

    Harro Tillema, Alpha Audio, The Netherlands (TPR)

  • I was impressed by how my chain with the EMM's got a benefit when I added a Grimm clock to my setup. Guided by what the literature and many designers are saying I was stunned about the change in a positive way) in sound.

    Daniel Dettwiler, Idee und Klang Studio, Basel (CC1)

  • I’m afraid my english isn’t good enough to describe the overwhelming feeling while listening to music, reproduced by the LS1.

    Ulrich Watermann, Berlin (LS1)

  • A great new day here with a relaxed and very detailed sound in the monitors and between all analog gear.

    Hudson Fair, Atelier HudSonic, Chicago (TPR)

  • My most impressive upgrade so far!

    Puck Leek, Pucksound, Amsterdam (CC2)

  • I didn't know clock influence was that big!

    Tim Vine-Lott, Air studios, London (CC1)

  • The system (...) is the equal of systems of hundred thousands of Euros when it comes to aspects like neutrality, purity and naturalness of tone.

    Clemens Wergin, Die Welt, Berlin (LS1)

  • Among all the truly excellent SACDs from Channel Classics, the very best sound quality wise is the Mahler 4th recorded with the Grimm IMHO.

    Chris Fredriksson, HiFi enthusiast, Sweden (AD1)

  • I had that feeling of an open window into sound, across a wide range of music styles.

    Nigel Palmer, Audio Media, London (LS1)

  • Just recorded Mahler 1 with Filharmonie and Edo de Waart. We had the Grimm LS1's on trial. Never heard so much in a recording, really impressive.

    Steven Maes, Motor Music, Mechelen (LS1)

  • The LS1be has a very beautiful low end, that not only goes to great depth, but is of exceptional pureness.

    Marnix Bosman, HVT magazine, Nijmegen (LS1be)

  • The jitter measurement results of the CC1 were the best of all competitors.

    Friedemann Kootz, Studio Magazin, Oberhausen (CC1)

  • After all these years I finally have a standard on which I can rely.

    Al Pryor, Mack Avenue records, Hempstead (LS1)

  • These are the most immersive, dynamic, detail-rich, nuanced, elegant, engaging, emotional, and yes, musical speakers I have ever heard. By far.

    Timothy Roth, Positive Feedback (LS1)

  • This week we used the MP1’s with the M50s of my colleague. We were both astonished.

    Noah Scot Snyder, Los Angeles (MP1)

  • I LOVE the clean transfer of your TPR cable. It´s like there´s no cable at all.

    George Tanderø, Mixing & Mastering, Oslo (TPR)

  • This is a larger improvement than I expected. The sound actually gains quality in all aspects.

    Marnix Bosman, HVT magazine, Baarn (CC1)

  • I'm not the 'Ahhh & Ohhh' type of guy when it comes to subtle differences, but the difference this makes is so clear.

    Audioenzo, Dordrecht (TPR)

  • Truly, this could be the last system you'll ever buy; an endgame solution.

    Marja Vanderloo & Henk Boot, 6Moons (LS1be)

  • The sound of Grimm recorded SACD's is AMAZING, it totally closes the gap between analog and digital.

    Hiro, Pure Super Audio (AD1)

  • You will have to go to great lengths to find something that matches this sound quality for the same price.

    Roy Ervin Solstad, Stereo+, Oslo (LS1)

  • This is a speaker that sets a reference level and everybody should hear it, regardless of whether he intends to buy it or not !

    Dimitris Stamatakos, AVMentor, Athens (LS1)

  • I won't get my monitoring better than this. Mastering party all day, every day!

    Frederik DeJongh, Jerboa Mastering, Gent (LS1)

  • My audition of the LS1 was a transformative experience.

    George Massenburg, McGill University, Montreal (LS1)

  • From the first minute I knew that something very special was happening. (...) The quality surpasses everything I heard before on my system.

    Gerard Lombrez, Lille (CC1)

  • This is probably the most 'correct' loudspeaker I've ever laid ears on. The combined honesty, neutrality and pleasing musicality is at a level that I haven't come across before.

    Christian Rechenbach, EinsNull magazin, Duisburg (LS1)

  • You have to work hard on the LS1's to get a good sounding mix, but once you have it, you can be sure it really is a good mix.

    Wessel Oltheten, Pro Audio & Video magazine, Buren (LS1)

  • The LS1 is by far the best speaker that AUDIO had the pleasure of reviewing in over 35 years; this especially in the two crucial audiophile disciplines of neutrality and detail reproduction.

    Wolfram Eifert, AUDIO, Stuttgart (LS1)

  • The Grimm DSD and Channel Classics have captured a perfect balance between energy, liveliness and comfortable sound.

    Teresa Goodwin, Positive Feedback (AD1)

  • This clock is incredible. The detail and imaging from it are superior to anything we heard.

    Allen Farmelo, Pink Noise magazine, Hopewell Junction (CC1)

  • I was thrilled with your power supplies for my Neumann M50's. We used those mics for an upcoming Chandos release of the Kansas City Chorus, and they were stunning.

    John Newton, Soundmirror, Boston (MP1)

  • I love the speed, transparency and neutrality of this cable.

    Marnix Bosman, HVT, Nijmegen (TPM)

  • The CC1 brings out a level of detail and clarity that I had dismissed as only possible with analog.

    John Davis, The Bunker Studio, New York (CC1)

  • We are honestly not able to assemble a component based system that performs better than this active system from Holland.

    Jaap Veenstra, Alpha Audio, Haarlem (LS1a)

  • Truly a remarkable system, the equal or better of anything I've ever heard.

    Dave Collins, Dave Collins Mastering, Los Angeles (LS1)

  • I want to congratulate you for making the best sounding, most phase linear, transient accurate, and all around beautiful speaker system on the planet

    Thaddeus Moore, Liquid Mastering, Eugene (LS1)

  • A facility is as good as its weakest link and by using TPR the cables are not a weak link anymore.

    Ronald Prent, Wisseloord Studios, Hilversum (TPR)

  • Accurate, transparent and beautiful, that is the Grimm Audio LS1

    Jack Liu, AudioArt magazine, Taipei (LS1)

  • I could not be more impressed.

    George Massenburg, McGill University, Montreal (LS1)

  • I've listened to so much music and films and heard space and details I have never heard before.

    Bart Jilesen, Studio Bart Jilesen, Utrecht (LS1)

  • This is a major improvement. We need much less eq on the high end, the low end sounds more solid and the punch on the snare is great. This clock is a large improvement, we were amazed.

    Peter Riebeek, Studio 150, Amsterdam (CC1)

  • You must hear that! Absolutely!

    Fritz Fey, Studio Magazin, Oberhausen (LS1be)

  • This is the most exciting, strange, beautiful, ridiculously convenient piece of non-audiophile audiophile gear I have seen or heard. These things are a bit science fiction really.

    Bogdan Roscic, President Sony Classical, Berlin (LS1)

  • I switch over to Grimm TPR tomorrow. After extensive testing I could not find a better alternative. This cable gets so close to the original it's frightening.

    Mark den Hartog, Zownd Mastering, Leiderdorp (TPR)

  • If someone came up with the idea to call the LS1 the best speakers he's ever heard, I would join in with a smile.

    Max Schlundt, Kultur...Technik, Berlin (LS1)

  • After installing your CC1, I often catch myself thinking that I listen to 88.2 when in reality it is 44.1. Their difference used to be much larger, and both sound much better now.

    Reyn Ouwehand, Studio The Church, Wijdenes (CC1)

  • I have used all high end AD converters known to date. Every one of them had a sound to it. Your converter doesn't: it is completely transparant!

    René Gambini, Lyrinx, Marseille (AD1)

  • I have already made better, faster decisions in my mixes, and have had more confidence in delivering my masters.

    Thaddeus Moore, Liquid Mastering, Eugene (LS1)

  • Grimm Audio enriches the Loudness Movement with exceptionally price worthy and designful tools.

    Dieter Kahlen, Studio Magazin, Oberhausen (LevelView)

  • Very impressive.

    Steve Hall, Future Disc, Los Angeles (AD1)

  • It seems as if the musicians have more fun when they play music.

    Ingo Iebhart, hifi enthusiast, Eberdingen (CC1)

  • Sensational! I have never found this quality in any commercial AD converter.

    Ronald Prent, Galaxy Studios, Mol (AD1)

  • I'm in tears, listening to my own recordings.

    Ben Zijlstra, Dutch Film & Television Academy, Amsterdam (CC1)

  • Throughout even the most turbulent passages the recording space stays luxuriously illuminated and the soundstage remains absolutely clear.

    Reinhold Martin, Hifi Statement Net Magazine, Gröbenzell (CC1)

  • These dmf subs are insane! It took me 30 seconds to decide I had to buy them. Authoritative, open, tight, life-like, in one word: wow!

    Wessel Oltheten, Spoor 14, Boxtel (LS1s-dmf)

  • I did some sessions in 44.1, 48 and 96. It works great, and sounds fantastic. The CC1 is such a great upgrade in the studio, amazing!

    Samuel Girardin, Point d'Orgue, Montreal (CC1)

  • During our sessions with Grammy winning saxophonist Kenny Garrett, the CC1 made all the difference in the world!

    Al Pryor & Todd Whitelock, Mack Avenue records, Hempstead (CC1)

  • A fantastic experience to work with this device.

    Hein Dekker, producer for Channel Classics, Baarn (AD1)

  • I buy and sell a lot of stuff, but the CC1 is not leaving the building.

    Alex Abrash, AA Mastering, New York (CC1)

  • LevelView is a fascinating loudness metering system that is hard to go without once you try it.

    Tommy Zai, KVR, Phoenix (LevelView)

  • Last week I was recording a strings section and piano. My client was very happy and he asked me if I changed something in the studio. Of course, it was your CC1.

    Josep Umbria, Calma Estudis, Manacor (CC1)

  • The CC1 is a brilliantly designed piece of equipment. Every piece of gear that I plugged into it sounded better and more natural.

    Erik Zobler, Mix Magazine, Los Angeles (CC1)

  • A world class machine!

    Yasushi Hamase, Be-Tone Studio, Kanagawa-Ken (AD1)

  • I was in the opportunity to hear your CC1 unit and I have to say INCREDIBLE!!

    Carlos Imperatori, Producciones Tumbador, Caracas (CC1)

  • I had expected a small sound improvement. What happened is just the opposite: I am very impressed.

    Gerd Hoppe, hifi enthusiast, Alicante (CC1)

  • The LS1 seems to be a melting pot for all your expertises. I just find it fascinating. I am quite certain that the LS1 is at least the very very best 'value' in the market right now.

    Wai-Shan Lam, hifi enthusiast, Hong Kong (LS1)

  • I was focusing more on the music than the equipment, something that rarely happens when I listen to digital...

    Tony Bolton, Hi-fi World, London (CC1)

  • Best sound of show, stunning, Meisterhaft.

    Theo Wubbolts, HVT magazine, Nijmegen (LS1)

  • This is a revelation. It is the first time in my 20 years of digital recording that I hear a fundamental improvement in sound quality.

    Leo de Klerk, Bloomline Studio, 's Gravendeel (AD1)

  • Suddenly and distinctly, there's a palpable increase in naturalness, extension and spaciousness.

    Nicholas Bedworth, Positive Feedback, Makawao (CC1)

  • This is the first plug-n-play, all-in-one, system with true high-end sound.

    Marshall Nack, Positive Feedback (LS1)

  • One for all and everything.

    Fritz Fey, Studio Magazin, Oberhausen (LS1)

  • The jury could only applaud.

    Joachim Pfeiffer, Audio Flatscreen Journal, Wuppertal (LS1be)

  • The naturalness of the LS1 turns me on big time.

    Wolfram Eifert, AUDIOphile, Stuttgart (LS1)

  • Their natural sound and their unimposing, deep trueness kept overwhelming me and my colleagues.

    Bernhard Rietschel, Editor in Chief of AUDIO, Stuttgart (LS1)

  • I’ve rewired my studio with TPR cable and I now bring some with me to recording sessions as well. It is extraordinary cable.

    Noah Scot Snyder, Los Angeles (TPR)

  • My new studio is wired with TPR

    Dave Collins, Dave Collins Mastering, Los Angeles (TPR)

  • Realize that not all timepieces are created equally. In this regard, the Grimm CC1 has no peer.

    Bob Katz and Garrett Haines, TapeOp, Sacramanto (CC1)

  • I've played everything from Rammstein to chamber music on these speakers, and they eat everything raw.

    Roy Ervin Solstad, Stereo+, Oslo (LS1)

  • As it turns out, Truth equals Love.

    Timothy Roth, Positive Feedback (LS1)

  • I had a client ask why my mixes were so much better this week.

    John Davis, The Bunker Studio, New York (CC1)

  • I love your cable because it is effectively inaudible. With TPR, cable quality is no issue anymore.

    Jan Didden, Linear Audio, Turnhout (TPR)

  • What impressed me the most is the purity of the sound and the sound field in general. (...) You can work so fast now to get the sound right!

    Stefan Riel, Echo Beach, Kuala Lumpur (LS1)

  • A signal that sounds pretty decent with a good clock, sounds just incredible with the Grimm Clock.

    Hay Zeelen, Hay Zeelen Mastering, Amsterdam (CC1)

  • The AD1 made the most realistic recording of my piano that I have ever heard. Incredibly realistic and involving.

    Mark Conese, Ambient Records, Stamford (AD1)

  • For those looking after the exact sound of a recording, the Grimm solution cannot be beat.

    Marja Vanderloo & Henk Boot, 6Moons (LS1)

  • TPR outperforms all the others providing an impressive stereo image and a stunningly accurate phantom center.

    Philip Opdebeeck, Little Major Mastering, Antwerp (TPR)

  • The combination of Grimm Audio TPR with Neutrik EMC XLR's seems to me to be the non plus ultra at the moment.

    Günter Pauler, Stockfish Records, Northeim (TPR)

  • Did Grimm Audio reinvent the loudspeaker?

    Bert Oling, Hi-fi Video Test, Nijmegen (LS1)

  • Wow, what a difference...!

    Ronald Wanders, hifi enthusiast, Zeewolde (TPM)

  • The LS1's frequency response is unusually flat - indeed the flattest we've ever measured.

    Keith Howard, Hi-Fi News, Croydon (LS1)

  • I heard the LS1 in NYC at the AES Convention... man, I was really impressed. Although it was at the booth, I could identify my mix immediately. So far the best speakers I've heard.

    Christian Klotzbücher, Kunstuniversität Graz, Graz (LS1)

  • We are very impressed by the quality of this unit.

    Günther Pauler, Pauler Acoustics, Northeim (CC1)

  • Its job is so critical that I’d never settle for less.

    Richard Chycki, Toronto (CC1)

  • I'm now using a DSD converter called a GRIMM for my SACD mastering. Big improvement.

    Steve Hoffman, Audio Fidelity, Los Angeles (AD1)

Like or follow us on your social media