“The LS1 seems to be a melting pot for all your expertises. I just find it fascinating. I am quite certain that the LS1 is at least the very very best 'value' in the market right now.”
Wai-Shan Lam, hifi enthusiast, Hong Kong (LS1)

 

“Suddenly and distinctly, there's a palpable increase in naturalness, extension and spaciousness.”

Nicholas Bedworth, Positive Feedback (CC1)

 

“If someone came up with the idea to call the LS1 the best speakers he's ever heard, I would join in with a smile.”

Max Schlundt, Kultur...Technik, Berlin (LS1)

 

“This is probably the most "correct" loudspeaker I've ever laid ears on. The combined honesty, neutrality and pleasing musicality is at a level that I haven't come across before.”

Christian Rechenbach, EinsNull magazin, Duisburg (LS1)

 

“Had a quick listen with the MP1 on one of my M50's. My goodness, what an incredible difference. Will you please stop doing this to me?”

Puck Leek, Pucksound, Amsterdam (MP1)

 

“I was thrilled with your power supplies for my Neumann M50's. We used those mics for an upcoming Chandos release of the Kansas City Chorus, and they were stunning.”

John Newton, Soundmirror, Boston (MP1)

 

“I was impressed by how my chain with the EMM's got a benefit when I added a Grimm clock to my setup. Guided by what the literature and many designers are saying I was stunned about the change (in a positive way) in sound.”

Daniel Dettwiler, Idee und Klang Studio, Basel (CC1)

 

“After installing your CC1, I often catch myself thinking that I listen to 88.2 when in reality it is 44.1. That difference used to be much larger, and both sound much better now.”

Reyn Ouwehand, Studio The Church, Wijdenes (CC1)

 

“I heard the LS1 in NYC at the AES Convention...man, I was really impressed. Although it was at the booth, I could identify my mix immediately. So far the best speakers I've heard.”

Christian Klotzbücher, Kunstuniversität Graz, Graz (LS1)

 

“During our sessions with Grammy winning saxophonist Kenny Garrett, the CC1 made all the difference in the world!”
Al Pryor & Todd Whitelock, Mack Avenue records, Hempstead (CC1)

 

“It seems as if the musicians have more fun when they play music.”

Ingo Iebhart, hifi enthusiast, Eberdingen (CC1)

 

“Throughout even the most turbulent passages the recording space stays luxuriously illuminated and the soundstage remains absolutely clear.”

Reinhold Martin, Hifi Statement Net Magazine, Gröbenzell (CC1)

 

“While tuning my guitar, the sound was so realistic and transparant I just forgot I was wearing a headphone.”

Puck Leek, Pucksound, Amsterdam (TPR)

 

“A facility is as good as its weakest link and by using TPR the cables are not a weak link anymore.”

Ronald Prent, Wisseloord Studios, Hilversum (TPR)

 

“Did Grimm Audio reinvent the loudspeaker?”

Bert Oling, Hi-fi Video Test, Nijmegen (LS1)

 

“The LS1's frequency response is unusually flat - indeed the flattest we've ever measured.”

Keith Howard, Hi-Fi News, Croydon (LS1)

 

“Last week I was recording a strings section and piano. My client was very happy and he asked me if I changed something in the studio. Of course, it was your CC1.”

Josep Umbria, Calma Estudis, Manacor (CC1)

 

“You have to work hard on the LS1's to get a good sounding mix, but once you have it, you can be sure it really is a good mix.”

Wessel Oltheten, Pro Audio & Video magazine, Buren (LS1)

 

“I had expected a small sound improvement. What happened is just the opposite: I am very impressed.”

Gerd Hoppe, hifi enthusiast, Alicante (CC1)

 

“One for all and everything.”

Fritz Fey, Studio Magazin, Oberhausen (LS1)

 

“Realize that not all timepieces are created equally. In this regard, the Grimm CC1 has no peer.”

Bob Katz and Garrett Haines, TapeOp, Sacramanto (CC1)

 

“This is a larger improvement than I expected. The sound actually gains quality in all aspects.”

Marnix Bosman, HVT magazine, Baarn (CC1)

 

I'm in tears, listening to my own recordings.

Ben Zijlstra, Dutch Film & Television Academy, Amsterdam (CC1)

 

A fantastic experience to work with this device.

Hein Dekker, producer for Channel Classics, Baarn (AD1)

 

Among all the truly excellent SACDs from Channel Classics, the very best sound quality wise is the Mahler 4th recorded with the Grimm IMHO.

Chris Fredriksson, HiFi enthusiast, Sweden. (AD1)

 

From the first minute I knew that something very special was happening. (...) The quality surpasses everything I heard before on my system.

Gerard Lombrez, Lille (CC1 on Esoteric equipment)

 

A signal that sounds pretty decent with a good clock, sounds just incredible with the Grimm Clock.

Hay Zeelen, Hay Zeelen Mastering, Amsterdam (CC1), quote from interview in the Dutch 'Interface' magazine, June 2009

 

I was focusing more on the music than the equipment, something that rarely happens when I listen to digital...

Tony Bolton, Hi-fi World, London (CC1)

 

I was in the opportunity to hear your CC1 unit and I have to say INCREDIBLE!!".

Carlos Imperatori, Producciones Tumbador, Caracas (CC1)

 

This is a major improvement. We need much less eq on the high end, the low end sounds more solid and the punch on the snare is great. This clock is a large improvement, we were amazed.

Peter Riebeek, Studio 150, Amsterdam (CC1)

 

We are very impressed by the quality of this unit.

Günther Pauler, Pauler Acoustics, Northeim (CC1)

 

The jitter measurement results of the CC1 were the best of all competitors.

Friedemann Kootz, Studio Magazin, Oberhausen (CC1)

 

I did some sessions in 44.1, 48 and 96. It works great, and sounds fantastic. The CC1 is such a great upgrade in the studio, amazing!

Samuel Girardin, Point d'Orgue, Montreal (CC1)

 

I didn't know clock influence was that big!

Tim Vine-Lott, Air studios, London (CC1)

 

I have used all high end AD converters known to date. Every one of them had a sound to it. Your converter doesn't: it is completely transparant!

René Gambini, Lyrinx, Marseille (AD1)

 

This is a revelation. It is the first time in my 20 years of digital recording that I hear a fundamental improvement in sound quality. There is a dramatic increase in space and resolution. The sound is very coherent, all spectral parts of an instrument are localised at the same spot, both tones and noises. There is a dramatic increase in realism. This is really a big step forward for sound reproduction technology. It's been a long time that a recording of my own gave me the chills like this. The AD1 has revitalised my enthusiasm for this beautiful metier!

Leo de Klerk, Bloomline Studio, 's Gravendeel (AD1)

 

A world class machine!

Yasushi Hamase, Be-Tone Studio, Kanagawa-Ken (AD1)

 

Congratulations, you have made the best sounding AD converter I have ever heard! (...) The AD1 made the most realistic recording of my piano that I have ever heard. It was better than any digital or analog that I have ever heard. Incredibly realistic and involving.

Mark Conese, Ambient Records, Stamford (AD1)

 

Very impressive.”

Steve Hall, Future Disc, Los Angeles (AD1)

 

Sensational! I'm shocked, in a positive sense: this makes me very happy! I have never found this quality in any commercial AD converter.

Ronald Prent, Galaxy Studios, Mol (AD1)