A good monitor combines a high degree of accuracy with untrammeled musicality. There aren’t many of those around – common wisdom has it that you can have one or the other but never both. The LS1 is the first monitor to prove conventional wisdom wrong.
By integrating top quality digital signal processing, converters and amplifiers in one of the speakers’ legs, we were able to apply technical strategies no one had used before. As a consequence, the LS1 is not just a loudspeaker, but a complete audio system that only needs an analog or digital line source to perform.
“This speaker is explicitly for those who want the most neutral and transparent sound reproduction, no corners were cut.”
True accuracy is about getting all the bits in the right place: not losing anything, not adding anything either. The LS1 offers this accuracy, reproducing a truly musical recording accurately, with all beauty intact. At the same time, the LS1 will also reproduce any imperfection, giving you all the information you need to get it right. These qualities make the LS1 an ideal monitor for both mastering and mixing.
Looking at the design, the box is much wider than it is deep, the small (14 litres) sealed box is designed to provide an effective baffle down to around 250Hz. It is suspended between two half cylinders that combat diffractions and function as an integral two-legged floor stand. An 8” magnesium woofer and a 1” dome tweeter divide the work between them. Smart use of DSP via a Computer Aided Calibration process during production linearizes the frequency response and allows for a controlled bass response down to 35 Hz.
Housed in one of the two legs are a 48/76-bit DSP, digital I/O, AD/DA, the same clock circuit as our CC1 master clock and the drive electronics, encompassing two 180W Class D power amplifiers of the groundbreaking Hypex NCore type.
Frederik DeJongh, Jerboa Mastering, Gent (LS1)
Frederik DeJongh, Jerboa Mastering, Gent (LS1)
Wessel Oltheten, Spoor 14, Boxtel (LS1s-dmf)
Wessel Oltheten, Spoor 14, Boxtel (LS1s-dmf)
Roy Ervin Solstad, Stereo+, Oslo (LS1)
Roy Ervin Solstad, Stereo+, Oslo (LS1)
Fritz Fey, Studio Magazin, Oberhausen (LS1be)
Fritz Fey, Studio Magazin, Oberhausen (LS1be)
Henk & Marja, 6Moons (LS1be)
Henk & Marja, 6Moons (LS1be)
Al Pryor, Mack Avenue Records, New York (LS1)
Al Pryor, Mack Avenue Records, New York (LS1)
Steven Maes, Motor Music, Mechelen (LS1)
Steven Maes, Motor Music, Mechelen (LS1)
Christian Rechenbach, EinsNull magazin, Duisburg (LS1)
Christian Rechenbach, EinsNull magazin, Duisburg (LS1)
Thaddeus Moore, Liquid Mastering, Eugene (LS1)
Thaddeus Moore, Liquid Mastering, Eugene (LS1)
Thaddeus Moore, Liquid Mastering, Eugene (LS1)
Thaddeus Moore, Liquid Mastering, Eugene (LS1)
Dave Collins, Dave Collins Mastering, Los Angeles (LS1)
Dave Collins, Dave Collins Mastering, Los Angeles (LS1)
Wessel Oltheten, Pro Audio & Video magazine, Buren (LS1)
Wessel Oltheten, Pro Audio & Video magazine, Buren (LS1)
Keith Howard, Hi-Fi News, Croydon (LS1)
Keith Howard, Hi-Fi News, Croydon (LS1)
Al Pryor, Mack Avenue records, Hempstead (LS1)
Al Pryor, Mack Avenue records, Hempstead (LS1)
Bogdan Roscic, President Sony Classical, Berlin (LS1)
Bogdan Roscic, President Sony Classical, Berlin (LS1)
George Massenburg, McGill University, Montreal (LS1)
George Massenburg, McGill University, Montreal (LS1)
Stefan Riel, Echo Beach, Kuala Lumpur (LS1)
Stefan Riel, Echo Beach, Kuala Lumpur (LS1)
Fritz Fey, Studio Magazin, Oberhausen (LS1)
Fritz Fey, Studio Magazin, Oberhausen (LS1)
Fritz Fey, Studio Magazin, Oberhausen (LS1)
Fritz Fey, Studio Magazin, Oberhausen (LS1)
George Massenburg, McGill University, Montreal (LS1)
George Massenburg, McGill University, Montreal (LS1)
Christian Klotzbücher, Kunstuniversität Graz, Graz (LS1)
Christian Klotzbücher, Kunstuniversität Graz, Graz (LS1)
Nigel Palmer, Audio Media, London (LS1)
Nigel Palmer, Audio Media, London (LS1)
Bart Jilesen, Studio Bart Jilesen, Utrecht (LS1)
Bart Jilesen, Studio Bart Jilesen, Utrecht (LS1)
Timothy Roth, Positive Feedback, Happy Valley (LS1)
Timothy Roth, Positive Feedback, Happy Valley (LS1)
Jan de Jeu, Music Emotion magazine, Amsterdam (LS1a)
Jan de Jeu, Music Emotion magazine, Amsterdam (LS1a)
Zhong Yi, HiFi Review, Hong Kong (LS1be)
Zhong Yi, HiFi Review, Hong Kong (LS1be)
Sam Ho, HiFi Review, Hong Kong (LS1be)
Sam Ho, HiFi Review, Hong Kong (LS1be)
Archimedes Chan, HiFi Review, Hong Kong (LS1be)
Archimedes Chan, HiFi Review, Hong Kong (LS1be)
River Chan, HiFi Review, Hong Kong (LS1be)
River Chan, HiFi Review, Hong Kong (LS1be)
Aaron Garrett, hifi enthusiast, Cambridge (LS1s-DMF)
Aaron Garrett, hifi enthusiast, Cambridge (LS1s-DMF)
Josep Armengol, Revista On Off, Madrid (LS1)
Josep Armengol, Revista On Off, Madrid (LS1)
Joachim Pfeiffer, Audio Flatscreen Journal, Wuppertal (LS1be)
Joachim Pfeiffer, Audio Flatscreen Journal, Wuppertal (LS1be)
Jaap Veenstra, Alpha Audio, Haarlem (LS1a)
Jaap Veenstra, Alpha Audio, Haarlem (LS1a)
Josep Armengol, Revista On Off, Madrid (LS1)
Josep Armengol, Revista On Off, Madrid (LS1)
Jaap Veenstra, Alpha Audio, Haarlem (LS1be)
Jaap Veenstra, Alpha Audio, Haarlem (LS1be)
Marnix Bosman, HVT magazine, Nijmegen (LS1be)
Marnix Bosman, HVT magazine, Nijmegen (LS1be)
Marja Vanderloo & Henk Boot, 6Moons (LS1be)
Marja Vanderloo & Henk Boot, 6Moons (LS1be)
Jaap Veenstra, Alpha Audio, Haarlem (LS1be)
Jaap Veenstra, Alpha Audio, Haarlem (LS1be)
Jaap Veenstra, Alpha Audio, Haarlem (LS1be)
Jaap Veenstra, Alpha Audio, Haarlem (LS1be)
Jack Liu, AudioArt magazine, Taipei (LS1)
Jack Liu, AudioArt magazine, Taipei (LS1)
Roy Ervin Solstad, Stereo+, Oslo (LS1)
Roy Ervin Solstad, Stereo+, Oslo (LS1)
Ulrich Watermann, Berlin (LS1)
Ulrich Watermann, Berlin (LS1)
Theo Wubbolts, HVT magazine, Nijmegen (LS1)
Theo Wubbolts, HVT magazine, Nijmegen (LS1)
Timothy Roth, Positive Feedback, Happy Valley (LS1)
Timothy Roth, Positive Feedback, Happy Valley (LS1)
Timothy Roth, Positive Feedback, Happy Valley (LS1)
Timothy Roth, Positive Feedback, Happy Valley (LS1)
Marshall Nack, Positive Feedback, Happy Valley (LS1)
Marshall Nack, Positive Feedback, Happy Valley (LS1)
Wolfram Eifert, AUDIOphile, Stuttgart (LS1)
Wolfram Eifert, AUDIOphile, Stuttgart (LS1)
Dimitris Stamatakos, AVMentor, Athens (LS1)
Dimitris Stamatakos, AVMentor, Athens (LS1)
Clemens Wergin, Die Welt, Berlin (LS1)
Clemens Wergin, Die Welt, Berlin (LS1)
Wolfram Eifert, AUDIO, Stuttgart (LS1)
Wolfram Eifert, AUDIO, Stuttgart (LS1)
Bernhard Rietschel, Editor in Chief of AUDIO, Stuttgart (LS1)
Bernhard Rietschel, Editor in Chief of AUDIO, Stuttgart (LS1)
Bert Oling, Hi-fi Video Test, Nijmegen (LS1)
Bert Oling, Hi-fi Video Test, Nijmegen (LS1)
Wai-Shan Lam, hifi enthusiast, Hong Kong (LS1)
Wai-Shan Lam, hifi enthusiast, Hong Kong (LS1)
Max Schlundt, Kultur...Technik, Berlin (LS1)
Max Schlundt, Kultur...Technik, Berlin (LS1)
Marja Vanderloo & Henk Boot, 6Moons (LS1)
Marja Vanderloo & Henk Boot, 6Moons (LS1)
Super AV magazine, Hongkong (LS1be)
Super AV magazine, Hongkong (LS1be)
Jonas Kaufmann, Herrsching am Ammerseem (LS1be)
Jonas Kaufmann, Herrsching am Ammerseem (LS1be)
Björn Molt, Berlin, Germany (MU1 & LS1)
Björn Molt, Berlin, Germany (MU1 & LS1)
Ola Björling, Ukiro Music, Sweden (LS1c)
Ola Björling, Ukiro Music, Sweden (LS1c)
Michael Lavorgna, Twittering Machines (LS1c & MU1)
Michael Lavorgna, Twittering Machines (LS1c & MU1)
Amir Majidimehr, Audio Science Review (LS1c)
Amir Majidimehr, Audio Science Review (LS1c)
Rogier van Bakel, Stereophile, US (LS1c)
Rogier van Bakel, Stereophile, US (LS1c)
Robert Harley, The Absolute Sound, US (LS1c & MU1)
Robert Harley, The Absolute Sound, US (LS1c & MU1)
John Atkinson, Stereophile, US (LS1c)
John Atkinson, Stereophile, US (LS1c)
The concept of the LS1 draws maximum benefit from intelligent application of DSP technology. An IIR crossover imposes exact LR4 acoustic slopes crossing at 1550Hz, and the phase is subsequently corrected using an idealised inverted all-pass filter, resulting in a maximally linear phase response without any pre-echo’s. This removes the “digital loudspeaker sound signature” typical of the more ubiquitous impulse inverted FIR designs.
Despite their compact size, the floor standing speakers are clearly intended as main monitors in mastering studios and mixing rooms that have space to put free-standing speakers. The DSP controlled analog subwoofer output allows for easy integration with stereo subwoofers, for those that need high SPL performance below 40 Hz. By adding our LS1s or SB1 subwoofer, perfect integration with the main system is obtained, effectively turning the LS1 into a threeway system.
Related Products

LS1v2 Features
- unidirectional down to 250 Hz
- DSP controlled frequency curve
- well-behaved off-axis response
- digital and analog audio inputs
- filtered analog subwoofer output
- remote control of volume and settings
- super low distortion NCore class D power amps
- audiophile quality Seas drivers
- tall legs for working chair height listening
- 5 year limited warranty
LS1v2 Downloads
- Download the LS1 leaflet pdf
- Read the new LS1 manual 2025 pdf
- Read the old LS1 manual pdf
- Read our whitepaper about our loudspeaker design concept
- Study Hypex’ white paper about the ground-breaking NCore class D amplifier technique
- Download the LS1 Control software for Mac, Windows or Linux, which includes the latest LS1 firmware update
- Read the LS1i USB Interface firmware upgrade procedure
- Update your LS1
- Upgrade your LS1 to LS1be
LS1v2 Reviews
- Rediscovering music with the LS1 and MU1
- LS1 unveils everything
- Norwegian reviewer blown away by the LS1
- Taiwanese reviewer sings the praise of the LS1
- An impressive testimonial
- “Fine art in loudspeaker design”
- ‘Best sound of show’ in Munich
- Innovation Prize 2014 for LS1
- LS1 receives Writers Award 2014 from PFO
- LS1: “The World’s Best Complete Audio System”
LS1v2 News
- Infrared remote for MU1, MU2 and LS1r
- Complete makeover of LS1 firmware and software
- 20 years Grimm Audio: Wessel Oltheten
- HVT: LS1 and MU1 are iconic products
- Introducing: LS1 Nano legs
- Third Grammy for Al Pryor
- LS1 update and upgrade options
- Major LS1 Remote Software update
- LS1 in Concertgebouw studio
- LS1 Sketchup model
Other products...
LS1be
The LS1be is Grimm Audio's flagship audio system that only needs an analog or digital line source to perform.
LS1a
The LS1a is the most economical version while still maintaining most of the design qualities of the LS1 series.
SB1
The SB1 stereo subwoofers have digital motional feedback for 30 dB less distortion.























