LS1a

The LS1a offers our LS1 series quality at a reduced price. All LS1’s embody our vision that ultimate sonic transparency can only be reached by integrating all components of the playback chain into one system. Only then, we have full control over the interaction of electronics, loudspeaker units and the acoustic behaviour of the cabinet.read more >

SB1

The SB1 with ‘DMF’ is a technological marvel. By applying ‘Digital Motional Feedback’, a control technology from the renowned Dutch high-tech industry, it became possible to achieve exceptionally low levels of distortion and full dynamic control. With an SB1 added for the bass frequencies, the LS1 system offers low distortion over the full audio band and redefinesread more >

SB1

The SB1 with ‘DMF’ is a technological marvel. By applying ‘Digital Motional Feedback’, a control technology from the renowned Dutch high-tech industry, it became possible to achieve exceptionally low levels of distortion and full dynamic control. With an SB1 added for the bass frequencies, the LS1 system offers low distortion over the full audio band and redefinesread more >

MP1

Please note that the MP1 is temporarily out of stock. In any audio device, the power supply is a significant contributor to sonic success or failure. In tube microphones this is even more so than anywhere else. The MP1 allows you to realise the full potential of your treasured vintage or contemporary tube mic. Hearread more >

MP47

Please note that the MP47 is temporarily out of stock. In any audio device, the power supply is a significant contributor to sonic success or failure. In tube microphones this is even more so than anywhere else. The MP47 allows you to realise the full potential of your treasured vintage Neumann U47 or U48 tuberead more >

CC1v2

The CC1v2 distributes word clock and AES3 sync signals of superb quality to all equipment in your system. It operates in master mode or slaves to word clock and AES3 inputs. Now, any studio can benefit from a low jitter clock like ultimate musical timing and stability of tone. “Owing to a radically redesigned discreteread more >