The sound of Grimm recorded SACD’s is AMAZING, it totally closes the gap between analog and digital.read more >
Archives: Testimonials
Marja Vanderloo & Henk Boot, 6Moons (LS1)
For those looking after the exact sound of a recording, the Grimm solution cannot be beat.read more >
Ronald Prent, Wisseloord Studios, Hilversum (TPR)
A facility is as good as its weakest link and by using TPR the cables are not a weak link anymore.read more >
George Massenburg, McGill University, Montreal (LS1)
I could not be more impressed.read more >
Gerard Lombrez, Lille (CC1)
From the first minute I knew that something very special was happening. (…) The quality surpasses everything I heard before on my system.read more >
Al Pryor & Todd Whitelock, Mack Avenue records, Hempstead (CC1)
During our sessions with Grammy winning saxophonist Kenny Garrett, the CC1 made all the difference in the world!read more >
Dieter Kahlen, Studio Magazin, Oberhausen (LevelView)
Grimm Audio enriches the Loudness Movement with exceptionally price worthy and designful tools.read more >
Wai-Shan Lam, hifi enthusiast, Hong Kong (LS1)
The LS1 seems to be a melting pot for all your expertises. I just find it fascinating. I am quite certain that the LS1 is at least the very very best ‘value’ in the market right now.read more >
Christian Rechenbach, EinsNull magazin, Duisburg (LS1)
This is probably the most ‘correct’ loudspeaker I’ve ever laid ears on. The combined honesty, neutrality and pleasing musicality is at a level that I haven’t come across before.read more >
Max Schlundt, Kultur…Technik, Berlin (LS1)
If someone came up with the idea to call the LS1 the best speakers he’s ever heard, I would join in with a smile.read more >
Al Pryor, Mack Avenue records, Hempstead (LS1)
After all these years I finally have a standard on which I can rely.read more >
Reinhold Martin, Hifi Statement Net Magazine, Gröbenzell (CC1)
Throughout even the most turbulent passages the recording space stays luxuriously illuminated and the soundstage remains absolutely clear.read more >
