I’m in tears, listening to my own recordings.read more >
Ben Zijlstra, Dutch Film & Television Academy, Amsterdam (CC1)
Archives: Testimonials
Bob Katz and Garrett Haines, TapeOp, Sacramanto (CC1)
Realize that not all timepieces are created equally. In this regard, the Grimm CC1 has no peer.read more >
Alex Abrash, AA Mastering, New York (CC1)
I buy and sell a lot of stuff, but the CC1 is not leaving the building.read more >
Peter Riebeek, Studio 150, Amsterdam (CC1)
This is a major improvement. We need much less eq on the high end, the low end sounds more solid and the punch on the snare is great. This clock is a large improvement, we were amazed.read more >
Allen Farmelo, Pink Noise magazine, Hopewell Junction (CC1)
This clock is incredible. The detail and imaging from it are superior to anything we heard.read more >
Friedemann Kootz, Studio Magazin, Oberhausen (CC1)
The jitter measurement results of the CC1 were the best of all competitors.read more >
Daniel Dettwiler, Idee und Klang Studio, Basel (CC1)
I was impressed by how my chain with the EMM’s got a benefit when I added a Grimm clock to my setup. Guided by what the literature and many designers are saying I was still stunned about the change (in a positive way) in sound.read more >
Erik Zobler, Mix Magazine, Los Angeles (CC1)
The CC1 is a brilliantly designed piece of equipment. Every piece of gear that I plugged into it sounded better and more natural.read more >
Richard Chycki, Toronto (CC1)
Its job is so critical that I’d never settle for less.read more >
Josep Umbria, Calma Estudis, Manacor (CC1)
Last week I was recording a strings section and piano. My client was very happy and he asked me if I changed something in the studio. Of course, it was your CC1.read more >
Tim Vine-Lott, Air studios, London (CC1)
I didn’t know clock influence was that big!read more >
Günther Pauler, Pauler Acoustics, Northeim (CC1)
We are very impressed by the quality of this unit.read more >
