An interesting myth has made its way into the market recently: that a 48000.000Hz clock makes your audio sound better than a 48000.100Hz one. Okay, that’s not the way they put it. Nobody can keep a straight face and say that. Instead they say that your audio improves when you lock it to an atomic standard. For some reason people find that more convincing. Why? Semantics!
This tech note helps you to separate the myth from the math when it comes to jitter.
Spencer Ramzel of Blackbuck Recording Haus, South Texas, wrote to us: “I’ve had only a few days with the unit. There seems to be an immediate improvement of the sound. Bottom end and the phase correlation between the kick drum tracks and other bass tracks is improved. The higher frequency range (cymbals and vocal track)read more >
Dutch music production magazine Interface has a review of our CC2 master clock in its latest issue. Marnix Bosman writes: “I checked the CC2 in my studio in combination with various recent and older models of converters and interfaces. Except with one very expensive high end converter, I could always hear improvements in sound quality,read more >
