Erik Zobler reviewed our CC1 and became very enthusiastic:
“The CC1 is a brilliantly designed piece of equipment. Every piece of gear that I plugged into it sounded better and more natural. (…)”
“When I closed my eyes and told myself to forget about all the perceived sonic differences and just pick the clock that “felt” better, I chose the Grimm. It was accurate, natural and solid. I know it’s cliché, but it just sounded more musical.” Read the whole review at Mix Online’s website.”
There’s nothing like getting feedback from a very happy customer! John Davis of The Bunker Studio in New York bought a CC1 and wrote: “Your clock has really transformed the sound of our digital rig. The transparency of the soundstage and accuracy in the time domain is really stunning and brings out a level ofread more >
The online resource Pink Noise magazine did an extensive article about “The future of clocks” and quoted our jitter white papers in various parts. They now added a review of our CC1 master clock and were extremely enthusiastic about its quality: “Quick summary: Allen bought one immediately! This clock is incredible. The detail and imagingread more >
The online pro audio magazine AudioTechnology, Issue 27, features an interview with John Hanlon who is longtime producer of Neil Young. In the article about recording Young’s latest album ‘The Monsanto years’, Hanlon talks about selecting a clock for the recording: “When we use digital, Neil wants to go to the highest resolution available. Weread more >
We are very impressed by the quality of this unit.
