You have to work hard on the LS1’s to get a good sounding mix, but once you have it, you can be sure it really is a good mix.read more >
Wessel Oltheten, Pro Audio & Video magazine, Buren (LS1)
Archives: Testimonials
Dave Collins, Dave Collins Mastering, Los Angeles (LS1)
Truly a remarkable system, the equal or better of anything I’ve ever heard.read more >
Thaddeus Moore, Liquid Mastering, Eugene (LS1)
I have already made better, faster decisions in my mixes, and have had more confidence in delivering my masters.read more >
Thaddeus Moore, Liquid Mastering, Eugene (LS1)
I want to congratulate you for making the best sounding, most phase linear, transient accurate, and all around beautiful speaker system on the planetread more >
Steven Maes, Motor Music, Mechelen (LS1)
Just recorded Mahler 1 with Filharmonie and Edo de Waart. We had the Grimm LS1’s on trial. Never heard so much in a recording, really impressive.read more >
Al Pryor, Mack Avenue Records, New York (LS1)
A second Grammy: your technology helped me get there…read more >
Henk & Marja, 6Moons (LS1be)
Total peace of mindread more >
Fritz Fey, Studio Magazin, Oberhausen (LS1be)
You must hear that! Absolutely!read more >
Roy Ervin Solstad, Stereo+, Oslo (LS1)
I’ve played everything from Rammstein to chamber music on these speakers, and they eat everything raw.read more >
Wessel Oltheten, Spoor 14, Boxtel (LS1s-dmf)
These dmf subs are insane! It took me 30 seconds to decide I had to buy them. Authoritative, open, tight, life-like, in one word: wow!read more >
Terence Lai, SACD Production Center, Hong Kong (CC1)
In many years I tried all brands of the world for a master clock. So far only the CC1 can really fulfill my wishes.read more >
Mark Block, Los Angeles (CC2)
Lately I’ve noticed my system wasn’t sounding so great and found my CC2 was accidently turned off. Once I secured the power cord, turning on the unit, I happily noticed how much more vivid, dimensional, and natural everything sounded.read more >
