My most impressive upgrade so far!read more >
Puck Leek, Pucksound, Amsterdam (CC2)
Archives: Testimonials
John Davis, The Bunker Studio, New York (CC1)
The CC1 brings out a level of detail and clarity that I had dismissed as only possible with analog.read more >
John Davis, The Bunker Studio, New York (CC1)
I had a client ask why my mixes were so much better this week.read more >
Samuel Girardin, Point d’Orgue, Montreal (CC1)
I did some sessions in 44.1, 48 and 96. It works great, and sounds fantastic. The CC1 is such a great upgrade in the studio, amazing!read more >
Audioenzo, Dordrecht (TPR)
I’m not the ‘Ahhh & Ohhh’ type of guy when it comes to subtle differences, but the difference this makes is so clear.read more >
Philip Opdebeeck, Little Major Mastering, Antwerp (TPR)
TPR outperforms all the others providing an impressive stereo image and a stunningly accurate phantom center.read more >
Mark den Hartog, Zownd Mastering, Leiderdorp (TPR)
I switch over to Grimm TPR tomorrow. After extensive testing I could not find a better alternative. This cable gets so close to the original it’s frightening.read more >
Jan Didden, Linear Audio, Turnhout (TPR)
I love your cable because it is effectively inaudible. With TPR, cable quality is no issue anymore.read more >
Günter Pauler, Stockfish Records, Northeim (TPR)
The combination of Grimm Audio TPR with Neutrik EMC XLR’s seems to me to be the non plus ultra at the moment.read more >
Hudson Fair, Atelier HudSonic, Chicago (TPR)
A great new day here with a relaxed and very detailed sound in the monitors and between all analog gear.read more >
Noah Scot Snyder, Los Angeles (TPR)
I’ve rewired my studio with TPR cable and I now bring some with me to recording sessions as well. It is extraordinary cable.read more >
Harro Tillema, Alpha Audio, The Netherlands (TPR)
The sound stage renders almost holographic with a very high precision and spaciousness, as if there is no cable at all.read more >
