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Archives: Testimonials

Ben Zijlstra, Dutch Film & Television Academy, Amsterdam (CC1)

I’m in tears, listening to my own recordings.read more >

Bob Katz and Garrett Haines, TapeOp, Sacramanto (CC1)

Realize that not all timepieces are created equally. In this regard, the Grimm CC1 has no peer.read more >

Alex Abrash, AA Mastering, New York (CC1)

I buy and sell a lot of stuff, but the CC1 is not leaving the building.read more >

Peter Riebeek, Studio 150, Amsterdam (CC1)

This is a major improvement. We need much less eq on the high end, the low end sounds more solid and the punch on the snare is great. This clock is a large improvement, we were amazed.read more >

Allen Farmelo, Pink Noise magazine, Hopewell Junction (CC1)

This clock is incredible. The detail and imaging from it are superior to anything we heard.read more >

Friedemann Kootz, Studio Magazin, Oberhausen (CC1)

The jitter measurement results of the CC1 were the best of all competitors.read more >

Daniel Dettwiler, Idee und Klang Studio, Basel (CC1)

I was impressed by how my chain with the EMM’s got a benefit when I added a Grimm clock to my setup. Guided by what the literature and many designers are saying I was still stunned about the change (in a positive way) in sound.read more >

Erik Zobler, Mix Magazine, Los Angeles (CC1)

The CC1 is a brilliantly designed piece of equipment. Every piece of gear that I plugged into it sounded better and more natural.read more >

Richard Chycki, Toronto (CC1)

Its job is so critical that I’d never settle for less.read more >

Josep Umbria, Calma Estudis, Manacor (CC1)

Last week I was recording a strings section and piano. My client was very happy and he asked me if I changed something in the studio. Of course, it was your CC1.read more >

Tim Vine-Lott, Air studios, London (CC1)

I didn’t know clock influence was that big!read more >

Günther Pauler, Pauler Acoustics, Northeim (CC1)

We are very impressed by the quality of this unit.read more >

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Designed & Made in The Netherlands

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