If you are the kind of person who likes converters to sound transparant, so flavors can be added in a controlled manner, the Grimm oscillator circuitry will be your first choice. It objectively has the lowest jitter of any pro audio clock device on the market. By using the CC2 as external word clock generator for your sound card or digital mixing desk, its sound quality is very likely to increase significantly.
Longing for detail, naturalness and imaging in digital? Your system may need a reliable conductor.
Whether you are working in a recording studio, a mastering studio or mixing live sound, the CC2 will guarantee optimal sound quality. Customers using a Grimm Audio clock report "superior detail and imaging" and "a palpable increase in naturalness, extension and spaciousness". With the CC2 this top quality clock performance is now within reach of everyone's budget.
It was as if a veil was lifted from the mix: clarity, punch, depth, stereo image, everything improved.
Matthijs Kievit, Studio Joneski, Utrecht (CC2)
Lately I've noticed my system wasn't sounding so great and found my CC2 was accidently turned off. Once I secured the power cord, turning on the unit, I happily noticed how much more vivid, dimensional, and natural everything sounded.
Mark Block, Los Angeles (CC2)
In many years I tried all brands of the world for a master clock. So far only the CC1 can really fulfill my wishes.
Terence Lai, SACD Production Center, Hong Kong (CC1)
I could always hear improvements in sound quality
Marnix Bosman, Interface magazine, Amsterdam (CC2)
Never before I heard immersion like this in the low frequency range
Chen Weichang, Hifi Review, Hongkong (CC1)
After installing your CC1, I often catch myself thinking that I listen to 88.2 when in reality it is 44.1. Their difference used to be much larger, and both sound much better now.
Reyn Ouwehand, Studio The Church, Wijdenes (CC1)
I was in the opportunity to hear your CC1 unit and I have to say INCREDIBLE!!
Carlos Imperatori, Producciones Tumbador, Caracas (CC1)
I had expected a small sound improvement. What happened is just the opposite: I am very impressed.
Gerd Hoppe, hifi enthusiast, Alicante (CC1)
I did some sessions in 44.1, 48 and 96. It works great, and sounds fantastic. The CC1 is such a great upgrade in the studio, amazing!
Samuel Girardin, Point d'Orgue, Montreal (CC1)
I was impressed by how my chain with the EMM's got a benefit when I added a Grimm clock to my setup. Guided by what the literature and many designers are saying I was stunned about the change in a positive way) in sound.
Daniel Dettwiler, Idee und Klang Studio, Basel (CC1)
I had a client ask why my mixes were so much better this week.
John Davis, The Bunker Studio, New York (CC1)
The reviews I read are good, but to me what I experienced in our system was greater.
Aaron Gandia, Phat Planet Studios, Orlando (CC1)
I'm in tears, listening to my own recordings.
Ben Zijlstra, Dutch Film & Television Academy, Amsterdam (CC1)
My most impressive upgrade so far!
Puck Leek, Pucksound, Amsterdam (CC2)
What can I say... what a difference
Michael Pfeiffer Strauss, Erftstadt (CC1)
Last week I was recording a strings section and piano. My client was very happy and he asked me if I changed something in the studio. Of course, it was your CC1.
Josep Umbria, Calma Estudis, Manacor (CC1)
Realize that not all timepieces are created equally. In this regard, the Grimm CC1 has no peer.
Bob Katz and Garrett Haines, TapeOp, Sacramanto (CC1)
I buy and sell a lot of stuff, but the CC1 is not leaving the building.
Alex Abrash, AA Mastering, New York (CC1)
The CC1 is a brilliantly designed piece of equipment. Every piece of gear that I plugged into it sounded better and more natural.
Erik Zobler, Mix Magazine, Los Angeles (CC1)
We are very impressed by the quality of this unit.
Günther Pauler, Pauler Acoustics, Northeim (CC1)
A signal that sounds pretty decent with a good clock, sounds just incredible with the Grimm Clock.
Hay Zeelen, Hay Zeelen Mastering, Amsterdam (CC1)
It seems as if the musicians have more fun when they play music.
Ingo Iebhart, hifi enthusiast, Eberdingen (CC1)
I didn't know clock influence was that big!
Tim Vine-Lott, Air studios, London (CC1)
This clock is incredible. The detail and imaging from it are superior to anything we heard.
Allen Farmelo, Pink Noise magazine, Hopewell Junction (CC1)
This is a major improvement. We need much less eq on the high end, the low end sounds more solid and the punch on the snare is great. This clock is a large improvement, we were amazed.
Peter Riebeek, Studio 150, Amsterdam (CC1)
Its job is so critical that I’d never settle for less.
Richard Chycki, Toronto (CC1)
The jitter measurement results of the CC1 were the best of all competitors.
Friedemann Kootz, Studio Magazin, Oberhausen (CC1)
Suddenly and distinctly, there's a palpable increase in naturalness, extension and spaciousness.
Nicholas Bedworth, Positive Feedback, Makawao (CC1)
The CC1 brings out a level of detail and clarity that I had dismissed as only possible with analog.
John Davis, The Bunker Studio, New York (CC1)
During our sessions with Grammy winning saxophonist Kenny Garrett, the CC1 made all the difference in the world!
Al Pryor & Todd Whitelock, Mack Avenue records, Hempstead (CC1)