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Archives: Testimonials

Reyn Ouwehand, Studio The Church, Wijdenes (CC1)

After installing your CC1, I often catch myself thinking that I listen to 88.2 when in reality it is 44.1. Their difference used to be much larger, and both sound much better now.read more >

Hay Zeelen, Hay Zeelen Mastering, Amsterdam (CC1)

A signal that sounds pretty decent with a good clock, sounds just incredible with the Grimm Clock.read more >

Gerd Hoppe, hifi enthusiast, Alicante (CC1)

I had expected a small sound improvement. What happened is just the opposite: I am very impressed.read more >

Marnix Bosman, Interface magazine, Amsterdam (CC2)

I could always hear improvements in sound quality.read more >

Puck Leek, Pucksound, Amsterdam (CC2)

My most impressive upgrade so far!read more >

John Davis, The Bunker Studio, New York (CC1)

The CC1 brings out a level of detail and clarity that I had dismissed as only possible with analog.read more >

John Davis, The Bunker Studio, New York (CC1)

I had a client ask why my mixes were so much better this week.read more >

Samuel Girardin, Point d’Orgue, Montreal (CC1)

I did some sessions in 44.1, 48 and 96. It works great, and sounds fantastic. The CC1 is such a great upgrade in the studio, amazing!read more >

Audioenzo, Dordrecht (TPR)

I’m not the ‘Ahhh & Ohhh’ type of guy when it comes to subtle differences, but the difference this makes is so clear.read more >

Philip Opdebeeck, Little Major Mastering, Antwerp (TPR)

TPR outperforms all the others providing an impressive stereo image and a stunningly accurate phantom center.read more >

Mark den Hartog, Zownd Mastering, Leiderdorp (TPR)

I switch over to Grimm TPR tomorrow. After extensive testing I could not find a better alternative. This cable gets so close to the original it’s frightening.read more >

Jan Didden, Linear Audio, Turnhout (TPR)

I love your cable because it is effectively inaudible. With TPR, cable quality is no issue anymore.read more >

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