After installing your CC1, I often catch myself thinking that I listen to 88.2 when in reality it is 44.1. Their difference used to be much larger, and both sound much better now.read more >
Archives: Testimonials
Hay Zeelen, Hay Zeelen Mastering, Amsterdam (CC1)
A signal that sounds pretty decent with a good clock, sounds just incredible with the Grimm Clock.read more >
Gerd Hoppe, hifi enthusiast, Alicante (CC1)
I had expected a small sound improvement. What happened is just the opposite: I am very impressed.read more >
Marnix Bosman, Interface magazine, Amsterdam (CC2)
I could always hear improvements in sound quality.read more >
Puck Leek, Pucksound, Amsterdam (CC2)
My most impressive upgrade so far!read more >
John Davis, The Bunker Studio, New York (CC1)
The CC1 brings out a level of detail and clarity that I had dismissed as only possible with analog.read more >
John Davis, The Bunker Studio, New York (CC1)
I had a client ask why my mixes were so much better this week.read more >
Samuel Girardin, Point d’Orgue, Montreal (CC1)
I did some sessions in 44.1, 48 and 96. It works great, and sounds fantastic. The CC1 is such a great upgrade in the studio, amazing!read more >
Audioenzo, Dordrecht (TPR)
I’m not the ‘Ahhh & Ohhh’ type of guy when it comes to subtle differences, but the difference this makes is so clear.read more >
Philip Opdebeeck, Little Major Mastering, Antwerp (TPR)
TPR outperforms all the others providing an impressive stereo image and a stunningly accurate phantom center.read more >
Mark den Hartog, Zownd Mastering, Leiderdorp (TPR)
I switch over to Grimm TPR tomorrow. After extensive testing I could not find a better alternative. This cable gets so close to the original it’s frightening.read more >
Jan Didden, Linear Audio, Turnhout (TPR)
I love your cable because it is effectively inaudible. With TPR, cable quality is no issue anymore.read more >