The AD1 made the most realistic recording of my piano that I have ever heard. Incredibly realistic and involving.read more >
Archives: Testimonials
Ronald Prent, Galaxy Studios, Mol (AD1)
Sensational! I have never found this quality in any commercial AD converter.read more >
Steve Hall, Future Disc, Los Angeles (AD1)
Very impressive.read more >
Yasushi Hamase, Be-Tone Studio, Kanagawa-Ken (AD1)
A world class machine!read more >
Yasushi Hamase, Be-Tone studio, Kawasaki City (AD1)
Grimm products have that typically Dutch sound character that I love: warm but clear.read more >
Chris Fredriksson, HiFi enthusiast, Sweden (AD1)
Among all the truly excellent SACDs from Channel Classics, the very best sound quality wise is the Mahler 4th recorded with the Grimm in my opinion.read more >
Steve Hoffman, Audio Fidelity, Los Angeles (AD1)
I’m now using a DSD converter called a GRIMM for my SACD mastering. Big improvement.read more >
Hein Dekker, producer for Channel Classics, Baarn (AD1)
A fantastic experience to work with this device.read more >
Ben Zijlstra, Dutch Film & Television Academy, Amsterdam (CC1)
I’m in tears, listening to my own recordings.read more >
Bob Katz and Garrett Haines, TapeOp, Sacramanto (CC1)
Realize that not all timepieces are created equally. In this regard, the Grimm CC1 has no peer.read more >
Alex Abrash, AA Mastering, New York (CC1)
I buy and sell a lot of stuff, but the CC1 is not leaving the building.read more >
Peter Riebeek, Studio 150, Amsterdam (CC1)
This is a major improvement. We need much less eq on the high end, the low end sounds more solid and the punch on the snare is great. This clock is a large improvement, we were amazed.read more >
