This clock is incredible. The detail and imaging from it are superior to anything we heard.read more >
Archives: Testimonials
Friedemann Kootz, Studio Magazin, Oberhausen (CC1)
The jitter measurement results of the CC1 were the best of all competitors.read more >
Daniel Dettwiler, Idee und Klang Studio, Basel (CC1)
I was impressed by how my chain with the EMM’s got a benefit when I added a Grimm clock to my setup. Guided by what the literature and many designers are saying I was still stunned about the change (in a positive way) in sound.read more >
Erik Zobler, Mix Magazine, Los Angeles (CC1)
The CC1 is a brilliantly designed piece of equipment. Every piece of gear that I plugged into it sounded better and more natural.read more >
Richard Chycki, Toronto (CC1)
Its job is so critical that I’d never settle for less.read more >
Josep Umbria, Calma Estudis, Manacor (CC1)
Last week I was recording a strings section and piano. My client was very happy and he asked me if I changed something in the studio. Of course, it was your CC1.read more >
Tim Vine-Lott, Air studios, London (CC1)
I didn’t know clock influence was that big!read more >
Günther Pauler, Pauler Acoustics, Northeim (CC1)
We are very impressed by the quality of this unit.read more >
Reyn Ouwehand, Studio The Church, Wijdenes (CC1)
After installing your CC1, I often catch myself thinking that I listen to 88.2 when in reality it is 44.1. Their difference used to be much larger, and both sound much better now.read more >
Hay Zeelen, Hay Zeelen Mastering, Amsterdam (CC1)
A signal that sounds pretty decent with a good clock, sounds just incredible with the Grimm Clock.read more >
Gerd Hoppe, hifi enthusiast, Alicante (CC1)
I had expected a small sound improvement. What happened is just the opposite: I am very impressed.read more >
Marnix Bosman, Interface magazine, Amsterdam (CC2)
I could always hear improvements in sound quality.read more >
