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Archives: Testimonials

Stefan Riel, Echo Beach, Kuala Lumpur (LS1)

What impressed me the most is the purity of the sound and the sound field in general. (…) You can work so fast now to get the sound right!read more >

George Massenburg, McGill University, Montreal (LS1)

My audition of the LS1 was a transformative experience.read more >

Bogdan Roscic, President Sony Classical, Berlin (LS1)

This is the most exciting, strange, beautiful, ridiculously convenient piece of non-audiophile audiophile gear I have seen or heard. These things are a bit science fiction really.read more >

Keith Howard, Hi-Fi News, Croydon (LS1)

The LS1’s frequency response is unusually flat – indeed the flattest we’ve ever measured.read more >

Wessel Oltheten, Pro Audio & Video magazine, Buren (LS1)

You have to work hard on the LS1’s to get a good sounding mix, but once you have it, you can be sure it really is a good mix.read more >

Dave Collins, Dave Collins Mastering, Los Angeles (LS1)

Truly a remarkable system, the equal or better of anything I’ve ever heard.read more >

Thaddeus Moore, Liquid Mastering, Eugene (LS1)

I have already made better, faster decisions in my mixes, and have had more confidence in delivering my masters.read more >

Thaddeus Moore, Liquid Mastering, Eugene (LS1)

I want to congratulate you for making the best sounding, most phase linear, transient accurate, and all around beautiful speaker system on the planetread more >

Steven Maes, Motor Music, Mechelen (LS1)

Just recorded Mahler 1 with Filharmonie and Edo de Waart. We had the Grimm LS1’s on trial. Never heard so much in a recording, really impressive.read more >

Al Pryor, Mack Avenue Records, New York (LS1)

A second Grammy: your technology helped me get there…read more >

Henk & Marja, 6Moons (LS1be)

Total peace of mindread more >

Fritz Fey, Studio Magazin, Oberhausen (LS1be)

You must hear that! Absolutely!read more >

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