What impressed me the most is the purity of the sound and the sound field in general. (…) You can work so fast now to get the sound right!read more >
Archives: Testimonials
George Massenburg, McGill University, Montreal (LS1)
My audition of the LS1 was a transformative experience.read more >
Bogdan Roscic, President Sony Classical, Berlin (LS1)
This is the most exciting, strange, beautiful, ridiculously convenient piece of non-audiophile audiophile gear I have seen or heard. These things are a bit science fiction really.read more >
Keith Howard, Hi-Fi News, Croydon (LS1)
The LS1’s frequency response is unusually flat – indeed the flattest we’ve ever measured.read more >
Wessel Oltheten, Pro Audio & Video magazine, Buren (LS1)
You have to work hard on the LS1’s to get a good sounding mix, but once you have it, you can be sure it really is a good mix.read more >
Dave Collins, Dave Collins Mastering, Los Angeles (LS1)
Truly a remarkable system, the equal or better of anything I’ve ever heard.read more >
Thaddeus Moore, Liquid Mastering, Eugene (LS1)
I have already made better, faster decisions in my mixes, and have had more confidence in delivering my masters.read more >
Thaddeus Moore, Liquid Mastering, Eugene (LS1)
I want to congratulate you for making the best sounding, most phase linear, transient accurate, and all around beautiful speaker system on the planetread more >
Steven Maes, Motor Music, Mechelen (LS1)
Just recorded Mahler 1 with Filharmonie and Edo de Waart. We had the Grimm LS1’s on trial. Never heard so much in a recording, really impressive.read more >
Al Pryor, Mack Avenue Records, New York (LS1)
A second Grammy: your technology helped me get there…read more >
Henk & Marja, 6Moons (LS1be)
Total peace of mindread more >
Fritz Fey, Studio Magazin, Oberhausen (LS1be)
You must hear that! Absolutely!read more >