Friday June 29th our dealer in The Hague Chattelin Audio Systems has a very special ‘Master of Sound’ event: famous classical music engineer/producer Everett Porter of Polyhymnia International will present his work with the Royal Concertgebouw Orchestra on a 5 channel LS1be+DMF surround system! The monitor system in the Concertgebouw Amsterdam studio also has 5read more >
The major Hong Kong High End audio magazine HiFi Review did a review of the LS1be with DMF subs with no less than four reviewers, and made it their cover story. The reviewers were unanimously amazed. Please enjoy a translation of their judgements: 1) “The Grimm Audio LS1 playback system, which was selected as radioread more >
Herb Reichert wrote an interesting blog for Stereophile Magazine about his visit to the Grimm Audio room at the High End Munich last week. It is about women in audio and the EU versus US audiophile. Please enjoy: “I mentioned at the beginning of this Munich 2018 tale how European taste in high-end audio differsread more >
The CC2 is developed as a low jitter reference clock for professional studios and audiophiles who demand flawless performance from their digital audio path. Audiophile equipment with word clock inputs will likely benefit from Grimm Audio’s acclaimed clock performance. Longing for detail, naturalness and imaging in digital? Your system may need a reliable conductor. Whetherread more >
Cable assemblies are available in many different types. One can easily get lost in the woods, especially when interfacing unbalanced and balanced equipment, or using sub-D connectors for analog or digital audio. As a service to our cable assembly customers, we wrote an extensive document that shows the standard pinouts and wirings of the variousread more >
We are thrilled to show you the first short movie we produced at Grimm Audio. It is a portrait of Wessel Oltheten, a well known mix and mastering engineer in The Netherlands. In this video you can see him at work in his well equipped studio ‘Spoor 14’ in Boxtel, The Netherlands. Wessel relies onread more >
Pinterest is very popular with people who look for inspiration to enhance their life and living. Since we have a growing set of beautiful LS1 pictures in studios and living rooms, we decided to join Pinterest so our photos will add some inspiration to the moodboards… Enjoy! Grimm Audio on Pinterest >read more >
High res download shop Native DSD receives many questions about the oversample rate of DSD: 64fs, 128fs, 256 fs or even higher. Bigger numbers always seem better, but Native DSD claims that in the end the most important thing is not the oversampling rate but the quality of the recording converter in the audio band.read more >
Eelco Grimm did a research project for music streaming service Tidal and wrote a recommendation that was implemented by them. British mastering engineer Ian Shepherd is a very active supporter of the movement that fights the loudness war and invited Eelco to speak about the Tidal project in his well-listened “Mastering Show” podcast. Please enjoyread more >
Our dealer Chattelin Audio Systems in The Hague introduces the “Master of Sound Events”. Their goal is to bring customers and partners even closer to the source of music. The premiere of these events will be on Saturday November 18th, with a Grimm Audio LS1be system. Special guest this evening is the internationally acclaimed masteringread more >
Dutch music production magazine Interface has a review of our CC2 master clock in its latest issue. Marnix Bosman writes: “I checked the CC2 in my studio in combination with various recent and older models of converters and interfaces. Except with one very expensive high end converter, I could always hear improvements in sound quality,read more >
Here we go again. For the Spanish Hifi magazine Revista On Off, Josep Armengol reviewed the LS1 plus LS1s subs. He writes: “The transparency of the sound is tremendous. One could really think that you have the artists in front of you. Grimm’s mission to eliminate the sound of the system and present just theread more >
