“Sensation in the measurement and listening room” states the largests German hifi magazine, ’AUDIO’ on the cover page. Their measurement paragraph concludes: “The LS1 shows an excellent time and frequency response that rather reminds of electronic circuits and not of speakers”. The graphs show an exemplary waterfall and step response. “The midrange shows almost noread more >
The well known internet hifi magazine 6Moons has reviewed our LS1 with LS1s subwoofer set. Marja Vanderloo & Henk Boot auditioned them in their large listening room and became impressed. Their summary: “In the audiophile arena the LS1/LS1s operates in a class of one. For those looking after the exact sound of a recording, theread more >
Dutch magazine Interface reviews our TPR cable. They quote Ronald Prent of Wisseloord Studios, who ordered TPR for all cabling in their facility: “The stereo image with TPR is perfect and one experiences that in the incedibly stable and small phantom image with mono signals. It’s like using a center speaker.” Interface reviewer Marnix Bosmanread more >
Studio Magazin reviewed the LS1 in 2010 but longed for another listen when the LS1s subwoofer was finished. Just like the first time, editor in chief Fritz Fey was totally blown away by the LS1’s sound quality. “Fantastic micro dynamics, extreme naturalness, wide extended spectrum, unforced mids – it is a joy to listen toread more >
In their May/June issue, Positive Feedback features a review of three new SACD’s from Channel Classics: Beethoven, Schubert and Stravinsky, all with Ivan Fischer and the Budapest Festival Orchestra. Teresa Goodwin is clearly touched by the sound our AD1 made possible: “Sonically all three Channel Classics SACDs are amazingly realistic, with plenty of excitement, beautifulread more >
Erik Zobler reviewed our CC1 and became very enthusiastic: “The CC1 is a brilliantly designed piece of equipment. Every piece of gear that I plugged into it sounded better and more natural. (…)” “When I closed my eyes and told myself to forget about all the perceived sonic differences and just pick the clock thatread more >
In their March issue, German magazin Studio Magazin dedicates 6 pages to a review of our complete loudness suite: LevelView, LevelNorm and LevelOne. They were particularly charmed by LevelView’s rainbow meter: “Much more than a single loudness figure, the rainbow meter invites to mix dynamically.” Read about LevelView >read more >
At SA-CD.net a new SACD from Channel Classics was discussed. Tom Caulfield, project manager for the Boston Symphony Orchestra, wrote: “I have most of the Channel Amsterdam Sinfonietta SACDs, and appreciate them not only for their musicianship, but for how they sound. They all have a richness, level of realism, and sonic detail that isread more >
Another enthusiastic review for the CC1, this time with pro gear in a hi-fi setting. Reinhold Martin of the German Hifi Statement online magazine tests the CC1 with a DAD AX24 converter and a Weiss AFI digital interface. He writes: “Absolutely indispensible is the Dutch master clock from Grimm Audio. Throughout even the most turbulentread more >
German EinsNull magazin reviewed the LS1 and digged really deep into all details. They were stunned by the LS1’s performance. Editor in chief Christian Rechenbach wrote: “This is probably the most ‘correct’ loudspeaker I’ve ever laid ears on. The combined honesty, neutrality and pleasing musicality is at a level that I haven’t come across before.”read more >
Ronald Prent, creative director of Wisseloord Studios, was so impressed by our TPM cable that the suggestion by Eelco Grimm to develop an affordable model with similar attributes excited him immediately. In March 2011 Ronald Prent reports: “When I heard Grimm TPM, I was amazed by the unbelievably accurate phantom center. It sat rock solidread more >
